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'Spring Blossom' review: A bold debut film by Suzanne Lindon


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Suzanne of the French drama “Spring Blossom” is at that awkward age: not a girl, not yet a woman. It’s an age that’s been explored cinematically time and again; just look at the poster hanging in her room for Maurice Pialat’s 1983 film “Á Nos Amours,” starring Sandrine Bonnaire as another teenage Suzanne exploring her sexuality. But what’s different about the Suzanne of “Spring Blossom” is that she’s realized by a teen herself: writer, director and star Suzanne Lindon wrote the film when she was 15 and directed and starred in it at age 19.
Lindon’s youth is remarkable, because her point of view on the experience of the teenage girl is so immediate. But such a confident and self-assured debut would be remarkable for a filmmaker of any age, as “Spring Blossom” is a finely wrought, sensitively felt and artistically bold work. ....

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Suzanne Lindon on the cliché-avoiding age gap romance of Spring Blossom


Á Nos Amours changed its name from 
Suzanne just ahead of its theatrical release.
Courtesy of Curzon
“I was lucky to be 19 when I directed it, because I had clear ideas on adolescence,” says Lindon, who is now 20, over Zoom from Paris in the middle of April. “Sometimes when you watch movies about young people by adults, they write about what they remember, and it’s beautiful to have their memories. But I wanted to give my point of view of that age, because it’s a complicated period when you discover yourself, and when you’re more interested in fantasies than real life. ....

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Spring Blossom review: age-gap romance in full bloom


A portrait of romance and fantasy, boredom and adolescence, Suzanne Lindon’s understated and elegant debut navigates the unique thrills of first love. At 16 years old, the psyche of young Parisian Suzanne (also played by Lindon) is little occupied outside of school and home. She has two posters on display in her bedroom – one of Bambi (1942), the other of À Nos Amours (1983) – fitting décor for a precocious and long-limbed adolescent looking for excitement elsewhere. Suzanne’s gaze is distant and disconnected around her fellow students, the claustrophobic camerawork making clear that her mind is withdrawn. When she catches sight of a handsome man, Raphaël (Arnaud Valois), nearly 20 years her senior outside a local Montmartre theatre, she finds that her obsession with and adoration of him fills the gap in her distracted mind. ....

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Spring Blossom review – a fleeting affair with heart


Wed 21 Apr 2021 08.00 EDT
How much does our appreciation of a film depend on our knowledge of the film-maker? The question is difficult to avoid with this tale of a 16-year-old schoolgirl who develops a relationship with an older man. It was made by its star, Suzanne Lindon, who wrote it when she was 15 and directed it when she was 20. Lindon is also the daughter of French actors Vincent Lindon and Sandrine Kiberlain, which some might perceive as a bit of a head start, but she certainly holds her own here.
Lindon plays “Suzanne”, a student from a loving, affluent Parisian family (in appearance she resembles a young Charlotte Gainsbourg). She doesn’t lack for friends, but she is bored with her immature peer group. On her walk to school every day she starts to notice Raphaël (Arnaud Valois), a handsome, 35-year-old actor performing at the local theatre. He also seems bored. Suzanne becomes curious, and the two draw closer. As much as Suzanne is mature beyon ....

Suzanne Lindon , Sandrine Kiberlain , Maurice Pialat , Vincent Lindon , Arnaud Valois , Charlotte Gainsbourg , Nos Amours , Eric Rohmer Style , ஸுஸ்யாந் லிண்டன் , வின்சென்ட் லிண்டன் , அர்னாட் வலோயிஸ் , எண் அமெர்ஸ் ,