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What drives Judith Neilson? Inside an astonishing Sydney art empire We’re sorry, this service is currently unavailable. Please try again later. Dismiss Elizabeth FarrellyColumnist, author, architecture critic and essayist February 12, 2021 5.00pm Normal text size Advertisement The Australian art wars are a lop-sided affair. Against: the federal government; the state government; universities; the Murdoch press; the mining, roads and tobacco industries; the think tank IPA; the Packers and arguably all other developers (until they want to buy respectability) aside from Stanley Quek. And the fors: a host of impoverished creatives, a few underfunded institutions and Judith Neilson. Sydneysiders are fascinated by anyone with money. Almost everything written about Neilson drools over the numbers: the size of her art collection, her property portfolio, her bank balance. At the same time, we’re told, the art world is currently enchanted not by young me ....
The artists may not all like each other but they all liked Lucioâs Normal text size Very large text size Lucioâs art collection begins before you set foot in the restaurant. A tangle of pipes by Dave Teer sits high on a wall. Francesco Petroloâs metal eggs nest in a paperbark tree. Salvatore Zofreaâs once-controversial ceramic naked woman gazes from a window. By the front door, Garry Sheadâs mosaic has the writer D.H. Lawrence, his wife and kangaroo picnicking in Italy. Inside you can easily miss Sidney Nolanâs gold-framed sketch, which started the whole thing. Your eye is drawn along sunshine-yellow walls crowded with artworks and curiosities by many of Australiaâs best artists, from late masters such as John Coburn and Charles Blackman to younger stars Luke Sciberras and Joshua Yeldham. ....