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Warum Geimpfte, die an COVID erkranken, die Forschung voranbringen

Warum Geimpfte, die an COVID erkranken, die Forschung voranbringen
heise.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from heise.de Daily Mail and Mail on Sunday newspapers.

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Masked moves and ballet in the bath: a year of digital dance

The camera tailed them around the building . Juan Gil and Simone Damberg Würtz in Rambert’s Draw From Within.
Photograph: Camilla Greenwell
The first time I cried watching someone dance in their living room was in April last year. A few weeks into the first lockdown, unnerved by sudden confinement, there was ballerina Céline Gittens on my laptop screen, bourréeing past a pot plant. Then in a different living room, cellist António Novais drawing out a Saint-Saëns melody, and in another house, pianist Jonathan Higgins, all deeply engrossed in this re-creation of The Dying Swan, music crossing the divide. ....

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Just keep moving: the top 10 dance shows of 2020

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Two of the first films made in spring’s UK lockdown captured the moment of sudden confinement, DIY spirit and the simple need for connection and hope. Birmingham Royal Ballet principal Céline Gittens danced Fokine’s Dying Swan in her living room, linked up with musicians at home. Meanwhile, ex-New York City Ballet dancer Robbie Fairchild and his flatmate Chris Jarosz threw juicy shapes on their Manhattan rooftop. They brought a tear and a beaming smile, respectively. Read the full review.
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Among a number of artists addressing issues brought to the fore by Black Lives Matter this summer, Jonzi D’s Our Bodies Back was particularly powerful. It had a strong anchor in the defiant text of Detroit poet jessica Care moore, lamenting the lost lives of Sandra Bland, Breonna Taylor and other black women. And it had three distinctive and potent performers: Nafisah Baba, Bolegue Manuela and the unignorable intensity of Axelle “Ebony” Munezero. ....

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Breakin' Convention: Social DisDancing review – a gripping hip-hop hour

Last modified on Mon 14 Dec 2020 04.11 EST
Compared with the annual Breakinâ Convention festival, this was always going to be a different beast, a socially distanced hour in the theatre instead of a noisy, crowded, all-weekend event with people dancing in the foyers. It is impossible to match that atmosphere, but if anyone was going to have a go it is Jonzi D, Breakinâ Conventionâs artistic director and indefatigable MC, who has the audience whooping behind their masks.
The evening features three acts and two films (screening while they deep-clean behind the curtain) and, being a product of their times, the blanket mood is unavoidably dark. There is one party scene the whole night, courtesy of female popping crew AIM Collective. Their piece Suspended starts with bodies in stasis, moving but getting nowhere, but it ends with a big-smiling upbeat number, as if maybe this dancing, this crew, these women are exactly the thing thatâs keeping them going. ....

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