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Life Through the Lens: Picking up the pieces after tragedy | News, Sports, Jobs

Every time I mention my wife and I have had five homebirths, I get the strangest silence. It takes the opposing human brain a few seconds to hear, catalogue, and respond with: “Oh…that’s cool.” Now, the modern brain only has so many “boxes.” When the word “homebirth” is uttered, it is hesitantly put in the box with “horse-drawn carriages,” “bonnets,” and “fetch me some water from the well, Amos, and boil it. I’m fixin’ to take me a warsh.” Believe me, that box is a scary place to find yourself. I am then usually met with questions like: “Are you Amish?” and “What about the pain?” and simply “Why?” and occasionally “Would you like a refill?” when I’m interrupted by a waitress.

Pieces of a Woman | Channel

Netflix has since dropped him from its For Your Consideration page for the upcoming awards season.  The film starts with its focus on this young couple and their journey to parenthood. As it progresses, it grows to become about Martha s larger family. Martha s mother buys a car for her and Sean and the salesperson is Martha s brother-in-law, Chris (Benny Safdie). The lawyer for their case against the mid-wife is Martha s cousin, Suzanne (Sarah Snook), who also begins an affair with Sean. This is all treated very flippantly in the script. This family intercepted every aspect of this couple s life. We never learn anything about Sean s family. Did they know about the baby? Were they excited? 

Vanessa Kirby on the challenges that drew her to Pieces of a Woman

The Globe and Mail Published January 13, 2021 Benjamin Loeb/The Associated Press Vanessa Kirby is that actress. The one you’ve been wondering about, who plays Princess Margaret in the first two seasons of The Crown and the White Widow in the In Pieces of a Woman, a home birth turns harrowing for Martha and Sean (Kirby and Shia LaBeouf) and their midwife, Eva (Molly Parker). Screenwriter Kata Weber and director Kornel Mundruczo plunge us into the action with a seemingly unbroken 20-minute take that rubs the actors and viewers raw. Kirby loved it. She’s compelled by the tough stuff, the moments when the light in a character’s eyes darkens.

Review: Vanessa Kirby is sensational in Pieces of a Woman

Review: Vanessa Kirby is sensational in Pieces of a Woman
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Pieces of a Woman, Reviewed: A Tale of Grief Gets Lost in the Details

Save this story for later. Imagination isn’t only extravagant fantasy; it’s also a comprehensive realism, which offers a view of characters in their full spectrum of activities, and dramas in their full range of social implications. That sort of realistic imagination is what makes it possible, when filming fictional stories of the sort that seem torn from the headlines or derived from the lives of ordinary people, to combine the astonishment of journalistic investigation with intimate profundity and historical scope. The antithesis of such imagination is mere storytelling, a sort of middling informational mode of delivering drama. But there’s a special dimension of disappointment that comes from seeing a story told with a bombastic straining at importance, leaving out its wider connections in order to force a filmmaker’s emotions into it and wring viewers’ emotional reactions out of it. That’s the quality that afflicts “Pieces of a Woman” (str

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