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Vertical filmmaking pushes the boundaries of movie creation and cinema experience

Published July 8, 2021, 1:42 PM Not sure about it? Let Nespresso Talents 2021 Filipino champions convince you Through 100 years of Philippine cinema, Filipino viewers have marveled on the talent and craftsmanship of local filmmakers as they present stories through reels flashed on horizontal big screens. Seeing movies in that size and format has its purpose. Just think of it. How could we understand the grand scale of despair in Ishmael Bernal’s “ Himala” if we cannot see the barren land and its horizon? Landscape screen also gives ample space to show how alone a character is or how heavy a scene is with a crowd. In a more literal sense, it gives a bigger, and better, picture of things.

ABS-CBN Film Archives: The Process, Challenges, And Rewards Of Film Restoration

ABS-CBN Film Archives: The Process, Challenges, And Rewards Of Film Restoration
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Horror Nation

Trese should have our own version of ghosts and ghouls stirring in their graves FILIPINO MYTHOS REPRESENTATION Trese art from the comic book It’s a mystery that we have not made quite a global export industry of Philippine horror. Stretching the franchise  Shake, Rattle, & Roll to 15 installments, each with three stories that range from ghosts to ghouls, has not done much to showcase our knack for the macabre and the supernatural in world cinema, where mostly on account of our portrayal of poverty we have amassed award after award after award at various film festivals, from Cannes to Berlin to Osaka.

What Filipino film deeply inspired you?

Published July 3, 2021, 3:30 PM Our noted filmmakers and their favorite Pinoy movie We asked noted film directors which ultimate Filipino film inspired them to become the filmmakers they are today. Mikhail Red On the Job (2013) As a filmmaker is heavily interested in creating genre films, I am a big fan of Erik Matti’s On The Job (2013). It shows that Filipino films can be socially relevant yet well-crafted and entertaining. It’s a film that was successful in the international market, being programmed in 2013 Cannes Director’s Fortnight, while still getting a wide theatrical release locally making it accessible to the average Filipino moviegoer. It can get its message across where it matters. It is inspiring how local productions can take risks and push the boundaries and branding of what a Filipino film can be, while challenging the technical crafting skills of local film workers in every department, with additional departments not found in typical romance or dramas lik

Dear Tenant (2020) - 23 Far East Film Festival

Dear Tenant (2020) - 23 Far East Film Festival
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