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Jack Ingram / Miranda Lambert / Jon Randall: The Marfa Tapes


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Somewhere between a demo collection, a live album with no audience, and a lo-fi left turn, the ad-hoc country trio’s desert recording session focuses on the simple joys of songwriting.
No genre romanticizes the art of songwriting like country music, and
The Marfa Tapes is a late-night love letter to its myth. Miranda Lambert, along with collaborators Jack Ingram and Jon Randall, headed to West Texas with just an acoustic guitar and some ideas in a notebook. They recorded these 15 songs by a ranch in the desert, documenting first takes, trading lead vocals, and figuring out harmonies. Between songs, they cracked jokes and reassured each other, poured shots and marvelled at their surroundings. In an accompanying documentary, they’re laid-back and amiable, even giddy, as they get to work. “Not everything has to be a business decision,” Lambert says of their process. “I miss ....

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'Rosegold' album review | The Young Folks


New look, new style: Ashley Monroe shoots for a full-on rebirth with 
Rosegold. She dons pink hair on the album’s cover and dons electronic music on the album itself, both new guises that come as a surprise because Ashley Monroe doesn’t have a reputation as a chameleonic performer. She’s stuck pretty consistently to her image as a traditional country music star, both on her solo albums and with the Pistol Annies. Her consistent tendency is to lean on her exceptionally pretty voice to make her stand out from the crowd, rather than experimenting with musical forms like Kacey Musgraves has done, or expanding into ambitious conceptual territory as Miranda Lambert has done (on her double album  ....

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