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John Hawkes: 'I semi-retired at 19. Which I highly recommend'


 
Since the late 1980s, you would have had to work hard to avoid John Hawkes at the movies. He starred alongside Keanu Reeves, Mr T and the Butthole Surfers in Alex Winter’s directorial debut, Freaked. He worked with Quentin Tarantino on From Dusk ’til Dawn and Jackie Chan in Rush Hour. He was part of the SAG nominated ensemble cast of Ridley Scott’s American Gangster and was a grief-stricken informant for Colin Farrell and Jamie Foxx in Michael Mann’s big-screen 2008 reboot of Miami Vice. He was George Clooney’s lovelorn, ill-fated crewmate in The Perfect Storm. 
That part was typical of much of Hawkes’ early career as a character actor. He has jokingly claimed that he’ll call his memoir after his early roles: “I Can’t Find Love and I Always Die.” ....

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Feast for the Eyes exhibition at B.C.'s Polygon Gallery examines nuances of food photography

Feast for the Eyes exhibition at B.C.'s Polygon Gallery examines nuances of food photography
theglobeandmail.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theglobeandmail.com Daily Mail and Mail on Sunday newspapers.

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Luscious, Icky, Drippy… Food Photography


Peluquería, Limones, 1979, C-print.
Courtesy of the artist.
What more is there possibly to say about food? It’s been covered in every imaginable medium painting, writing, film, photography almost to the point of total exhaustion. Anyone with a smartphone can document their meals and share them with the world.
But just when you think there couldn’t be anything left, along comes something like
Feast for the Eyes: The Story of Food in Photography that reinvents the wheel all over again. Actually, that wheel is an oozing hunk of melting brie and an overripe red pear, photographed by American photographer Irving Penn. Garnished with a single black ant, the image traipses along the borderline between luscious and obscene. ....

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Women's Work: After Carolee: Tender and Fierce at Artpace


Installation view of After Carolee at Artpace San Antonio. Photo courtesy of Artpace San Antonio.
“By the year 2000, no young woman artist will meet the determined resistance and constant undermining that I endured as a student… . She will never feel like a provisional guest at the banquet of life.” So predicted the groundbreaking feminist artist and writer Carolee Schneemann (1939-2019) in an essay from the 1970s. Schneemann began her career in New York City in the early 1960s. In those days, male painters stole her brushes and books, claiming that, as men and
real artists, they needed her materials much more than she did. The realities and challenges of women’s lives became the driving force behind Schneemann’s pioneering artwork. ....

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