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Adapting Stephen King s IT: How A Generation Was Successfully Traumatized By A 1990 Miniseries

Adapting Stephen King s IT: How A Generation Was Successfully Traumatized By A 1990 Miniseries
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ADRIAN THRILLS: Lindsey Buckingham swaps rifts for riffs on surprisingly upbeat solo album

ADRIAN THRILLS: The road to Lindsey Buckingham s first solo album in ten years has been bumpy but the record finds the 71-year-old rocker sounding remarkably upbeat.

Zombies are back but with a twist

Zombies are back but with a twist Zombies are back but with a twist Zack Snyder s Army Of The Dead on Netflix is a drawn-out affair that packs great visuals and action sequences into a mediocre storyline published : 28 May 2021 at 04:00 Photos © NETFLIX It s not always easy to make a decent zombie movie, especially if your goal is to satisfy a new generation of horror fans as well as those who prefer the old rules of the genre. Nowadays, zombie movies come in all different shapes, styles, and levels of blood and gore. They are constantly evolving and have grown out of George Romero s cult classic Night Of The Living Dead. However, no matter what kind of zombie movie you make, you ll surely need a great story to go along with it too.

Zack Snyder s Army of the Dead releases trailer for a dangerous heist in zombie-infested Las Vegas

Zack Snyder is back again after the March release of his director s cut of Justice League with the first full-length trailer for his upcoming zombie-heist film Army Of The Dead. Guardians Of The Galaxy star Dave Bautista leads an enormous ensemble cast featuring comedian Tig Notaro and Power star Omari Hardwick as he accepts a death-defying mission steal the riches of Las Vegas, which haws been overrunning by flesh-eating zombies. The trailer suggests Netflix s Army Of The Dead will be comfortable territory for Snyder, who first made a name for himself with his critically acclaimed Dawn Of The Dead remake in 2004.

Meet Mickey Reece, the outsider filmmaker on the rise

Alerts When a name appears in the credits of a film as often as Mickey Reece’s does in his own, your first impulse as a writer is to call him a “one-man band.” But he’s not at least, not anymore. Before he was a self-taught filmmaker on the rise, this Oklahoma native was a touring musician, performing under the moniker El Paso Hot Button. Watching old YouTube clips of him playing a tambourine with one hand and his guitar with the other, left foot on a snare drum and right foot on the bass, it feels like a tidy visual metaphor for the life of a DIY artist. But the longer you talk to him, the more you realize that Mickey Reece resists neat classifications.

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