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The History of Barbecue in Los Angeles
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Third generation smoke: These three families helped define Bay Area barbecue
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Black characters are hunted, persecuted and worse. Gay people are boiled alive. Women are shunted aside.
Welcome to the middle of the 20th century, as imagined by some of the most prestigious TV series of this awards season. Shows like “Lovecraft Country,” “Them,” “Ratched” and “The Queen’s Gambit” depict a potently non-romantic 1950s-era past. We’re a far cry from “Happy Days.”
Filtering horror movie and melodrama ideas through thoroughly modern sensibilities, these series leave an acidic aftertaste as their heroes fight to be treated as human beings.
Sometimes the goal is dignity. Others, basic survival.
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Take “Lovecraft Country,” the HBO fantasy series based on the novel by Matt Ruff. Borrowing from pulp horror master H.P. Lovecraft, the series takes us on a journey through Jim Crow America of the ‘50s, North and South. Its torments include real-life horrors (the 1921 Tulsa Massacre, the 1955 murder of Emmett Till, bloodthirs
Courtesy Henry Litsky May 02, 2021
My first memory of the pedestrian bridge is from my sophomore year, when I didn’t know where I was going. “The 19th Ward,” said the older student walking with me. “I’m going to live here.”
He didn’t say it out loud, but he didn’t have to I could tell he thought the area was dangerous, that he was being brave and gracious by choosing to live there anyway. Based on how UR and its students usually spoke about the 19th Ward, that wasn’t surprising. My impression of the neighborhood was also negative, influenced by two years of Public Safety issuing campus-wide emails about another mugging, another armed robbery happening on the pedestrian bridge.
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