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Muslim stereotyping in films: Film scholar Ira Bhaskar on how Hindi cinema has portrayed Muslims

Muslim stereotyping in films: Film scholar Ira Bhaskar on how Hindi cinema has portrayed Muslims
scroll.in - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from scroll.in Daily Mail and Mail on Sunday newspapers.

New York , United States , North West Frontier , Uttar Pradesh , Sanjay Leela Bhansali , Jodhaa Akbar , Ira Bhaskar , Mani Ratnam Roja , Ranveer Singh , Chaudhvin Ka Chand , Allauddin Khilji , Salim Langde , Tandavand Pataal Lok , Amitabh Bachchan , Saeed Mirza Salim Langde , Mahesh Bhatt Zakhm , Umrao Jaan , Nitin Kakkar Filmistaan , Aamir Khan , Pooja Bhatt , Ravi Vasudevan , Naam Shabana , Alauddin Khilji , Kashmiri Muslim , Salman Khan , Bajirao Mastani ,

Noir Urbanisms in Post-globalisation Hindi Cinema

New Delhi: Oxford University Press, 2019; pp xx + 172, `
895.

This book grapples with the relationship between post-globalisation Hindi cinema and the shifting geography of cities, the rising masculine anxieties and the disappearance of tangible hard differentials. Paunksnis wants to make sense of recent shifts in Hindi cinema and address the rationale behind ‘‘the pessimism and alienation most films are infused with’’ (p xiii). The operative period for his analysis begins in the 2000s when, he claims, ‘‘a period of euphoric joy regarding becoming global’’ turned dark and eerie (p xii), for a “highly diverse rhizomatic film form” to emerge (p 5). Unlike the claims about ....

Madhava Prasad , New Bollywood , Indian New Wave , Hindi Film , மாதவ பிரசாத் , புதியது பாலிவுட் , இந்தியன் புதியது அலை , இந்தி படம் ,

Recalling a craftsman of time & attention

1446
Gurvinder Singh
Film director
My teacher, the master explorer of cinematic form, Mani Kaul, left us 10 years ago on July 6, 2011. He was 66. In his body of work, from Uski Roti (1969) to Naukar ki Kameez (1999), he created an idea of temporality, profoundly marked and informed by his understanding of Indian music, aesthetics and philosophy. In doing so, he not only created a highly personalised idiom of expression, but challenged the existing notions of meaning and cinematic forms that proved challenging for many an audience, used as they are to a certain acceptable system of the socio-industrial form of filmmaking, which treats facts and meaning as pivots around which a film’s narrative is received and understood. ....

Mani Kaul , Robert Bresson , Gurvinder Singh , Uthta Aadmi , Gurdial Singh , National Film Development Corporation , Uski Roti , Anhey Ghorhey Da Daan , Indian New Wave , Aashadh Ka Ek Din , Satah Se Uthta Aadmi , மணி கோஉல் , குர்விந்தர் சிங் , குர்டியல் சிங் , தேசிய படம் வளர்ச்சி நிறுவனம் , உஸ்கி ரோட்டி , இந்தியன் புதியது அலை ,

The genius of Mani Kaul and 50 years of his seminal work, 'Ashad Ka Ek Din'

The genius of Mani Kaul and 50 years of his seminal work, 'Ashad Ka Ek Din'
thehindu.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thehindu.com Daily Mail and Mail on Sunday newspapers.

Mani Kaul , Kk Mahajan Kaul , Akbar Padamsee , Balo Garima , Kalidas Arun Khopkar , Lachhi Raisa Padamsee , Mallika Rekha Sabnis , Ritwik Ghatak , Mohan Rakesh , Travis Bickle Robert , Raisa Padamsee , Martin Scorsese , Taxi Driver , Travis Bickle , Robert De Niro , Uski Roti , Indian New Wave , Rekha Sabnis , Aashad Ka Ek Din , Arun Khopkar , King Chandragupta , Ratan Lal , Amrita Sher Gil , Modernist Indian , மணி கோஉல் , காளிதாஸ் அருண் கோபிகார் ,

Kamayani Sharma on Chaitanya Tamhane's The Disciple (2020)

CHAITANYA TAMHANE’S WORK is gaining momentum. His directorial debut, Court (2015), a meditation on the banal evil of India’s judicial system, was praised for challenging the ideological conventions of the legal drama through static shots and long takes. No fast cut, close-up-heavy procedural is staged inside the courtroom; no dramatic monologues are delivered; justice is not served. Tamhane’s second feature, The Disciple (2020), while more kinetic in its camerawork (by Michal Sobociniski), proceeds at a similarly measured pace. Its narrative about the existential journey of Sharad (Aditya Modak), ....

United States , Guruji Arun Dravid , Sharad Aditya Modak , Gurvinder Singh , Arun Dravid , Ritwik Ghatak , Amrit Gangar , Kumar Shahani , Michal Sobociniski , Samit Dutta , Mani Kaul , Shahani Khyal Gatha , Mani Kaul Uski , Kamayani Sharma , Sindhubai Jadhav , Zia Mohiuddin Dagar , Mita Vashisht , Maya Darpan , Alfonso Cuar , Films Division , Television Institute Of India , Rolex Art Initiative , Chaitanya Tamhane , Aditya Modak , Indian New Wave , Uski Roti ,