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Michel Henritzi (Micro Japon) : « Ce qui pourrait définir l'esthétique Onkyo, c'est sa relation au temps, son détachement de l'évènement, laissant chaque son définir l'espace de l'écoute » – POPnews popnews.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from popnews.com Daily Mail and Mail on Sunday newspapers.
The best and newest science fiction and fantasy story collections borneobulletin.com.bn - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from borneobulletin.com.bn Daily Mail and Mail on Sunday newspapers.
In the latest wave of science fiction, authors of color take space to imagine multiple new societies Salon 2 hrs ago The female engine, woman as a machine Getty Stock Photo The year 1968 was one of racial progress and retreat: the year athletes raised their fists in a Black power salute at the Olympics, the year Martin Luther King Jr. was slain. In the world of science fiction – far ahead in an invented future – the period brought more progress. Star Trek aired the first kiss between two characters of different races on television. And in literature, Ursula Le Guin launched the Earthsea Cycle, a series whose protagonist had red-brown skin, Le Guin s attempt to correct a canon populated by pale heroes. ....
The first of two collections of Izumi Suzuki’s (1949-1986) work forthcoming from Verso Books, Terminal Boredom: Stories contains seven pieces appearing for the first time in English translation in some cases more than forty years after their original release. However, from gender politics in a queer matriarchy to media oversaturation and disaffection, the themes of her fiction still thrum with a resistant, brightly grim tension. Passing decades certainly haven’t dulled the the razor’s cut of her punk sensibilities. Instead of one translator handling the entire collection, the stories are split between six: Daniel Joseph, David Boyd, Sam Bett, Helen O’Horan, Aiko Masubuchi, and Polly Barton. Across their individual stylistic approaches to Suzuki’s prose, bedrock features come through: crispness edging toward a cruel gloss in the dialogue, emotional saturation (or desaturation) as both literal experience and speculative metaphor, references to American films and J ....
Calum Barnes , April 24th, 2021 09:21 New translations of the pathbreaking SF stories of Izumi Suzuki feel like transmissions from a lost future that ended long ago, finds Calum Barnes Photo credit: Nobuyoshi Araki According to Franco Bifo Berardi, the future ended in 1977. “This was the year when the punk movement exploded, whose cry – ‘No Future’ – was a self-fulfilled prophecy that slowly enveloped the world,” he argues in his 2011 book, After the Future, sketching a knotty complex of social, cultural, and economic trends that all reached their terminus that year. The oil crisis exposed the volatility of the post-war economic model and the mass movements of the sixties fragmented. What could be a hollow polemical flourish turns out to be an instructive juncture from which to consider how the twentieth-century belief in progress came to be replaced by the neoliberal malaise that persists to the present. ....