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Black Mountain Masters Still Inspire

Black Mountain Masters Still Inspire
eichlernetwork.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from eichlernetwork.com Daily Mail and Mail on Sunday newspapers.

North Carolina , United States , Black Mountain College , Republic Of , Black Mountain , San Francisco , Philip Johnson , Buckminster Fuller , Peter Voulkos , John Cage , Amy Trachtenberg , Ruth Asawa , Catharine Clark , Le Corbusier , Jen Bervin , Villa Savoye , Stephane Syjuco , Stephanie Syjuco , Mary Muszynski , Anni Albers , Dave Weinstein , John Wilson White , Mountain College , International Style , Ideals Of Black Mountain College , Open Field ,

S.F. artist goes underground with 'ecstatic' BART art installation – J.

S.F. artist goes underground with 'ecstatic' BART art installation – J.
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United States , France General , Sonoma State University , San Jose Museum Of Art , San Francisco , Jennifer Easton , Anni Albers , Ruth Asawa , Amy Trachtenberg , Charles Baudelaire , San Jose Museum Of Quilts , Cg Jung Institute , Cultural Center , Des Beaux Arts , North Africa , San Jose , Amy Tractenberg , Central America , Fireclay Tile , North San Jose , Silicon Valley , Eastern European , San Jose Museum , Catharine Clark Gallery , German Jewish , Bay Area ,

Bay Area museums, galleries back with big experiences this summer

Bay Area museums, galleries back with big experiences this summer
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Break + Bleed at San Jose Museum of Art in San Jose - June 4, 2021


Organized by Rory Padeken, curator
The circle and the square. Verticals, swoops, and folds. Flat planes and sensuous surfaces. Colors bright and vibrant. During the late 1950s and 60s, artists began to diverge from the painterly, gestural approaches of Abstract Expressionism in favor of what the American art critic Clement Greenberg in 1964 called post-painterly abstraction. Artists moved in a variety of directions, some in pursuit of paintings pure in color and open in composition while others toward structured, linear designs using familiar geometric shapes. Rejecting a loose application of paint, these artists stained their unprimed canvases or created flat planes of color devoid of any distinctive mark making. ....

United States , Sam Francis , Amy Kaufman , Fred Spratt , Frank Stella , Clement Greenberg , Patrick Wilson , Ted Stamm , Joachim Bandau , Sun Sep , John Cavalli , Josef Albers , Winston Roeth , Brice Marden , Rory Padeken , Leo Valledor , Ilya Bolotowsky , Karl Benjamin , Sun Jun , Patsy Krebs , Nicole Phungrasamee Fein , Helen Lundeberg , John Mclaughlin , Mary Corse , Robert Yasuda , Naomi Boretz ,

Break + Bleed to Open at San José Museum of Art on June 4, 2021


Break + Bleed to Open at San José Museum of Art on June 4, 2021
SAN JOSE, California
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Josef Albers, “White Line Squares XIII,” 1966–1970. Lithograph on paper, 21 x 21 inches. Gift of the Docent Council. 1979.06. “Break + Bleed” on view at San José Museum of Art June 4, 2021–January 31, 2022.
San José Museum of Art
New exhibition will feature artists who exemplify the spirit of post-painterly abstraction.
During the late 1950s and 60s, artists began to diverge from the painterly, gestural approaches of Abstract Expressionism in favor of what the American art critic Clement Greenberg in 1964 called “post-painterly abstraction.”  ....

Santa Clara County , United States , San Francisco , Sam Francis , Amy Kaufman , Fred Spratt , Frank Stella , Clement Greenberg , Patrick Wilson , Ted Stamm , Joachim Bandau , John Cavalli , Mike Nevens , Winston Roeth , Brice Marden , Rory Padeken , Leo Valledor , Ilya Bolotowsky , Karl Benjamin , Frederick Liang , Patsy Krebs , Nicole Phungrasamee Fein , Helen Lundeberg , John Mclaughlin , Josef Alber , Mary Corse ,