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Light in the dark: Inside Manchester Orchestra’s The Million Masks Of God Andy Hull and Robert McDowell talk faith, forgiveness, grief and Manchester Orchestra’s excellent new album The Million Masks Of God. Words: Mischa Pearlman In 1900, The Wild Knight & Other Poems, an early collection of poetry by English philosopher and essayist GK Chesterton, was published. One of the poems found within its pages is a simple four verse rumination on getting older called Gold Leaves, which details the shifting nature of the protagonist’s idea of what God is, as well as how his search for Him has changed over the years. It’s a poem that, more than a century later, Andy Hull accidentally stumbled across in a journal of old prayers and poems. The Manchester Orchestra frontman – who founded the Atlanta-based band in 2004 when he was 17 – was struck by the entire poem, but especially the last line of the third stanza, which talks about “The million masks of G ....
Loma Vista On The Million Masks Of God, Manchester Orchestra’s main songwriters, Andy Hull and Robert McDowell, applied a recently revised approach that was inspired by their experiences writing and recording the soundtrack to the 2016 film, “Swiss Army Man.” This approach was to compose cinematic concept albums meant to form a single narrative that should be listened to in one sitting. Hull and McDowell began implementing this technique on the last Manchester Orchestra album, 2017’s A Black Mile To the Surface and fully embraced it on this, their seventh album. In addition, The Million Masks Of God could be thought of as an extension of the themes of their last album too. ....