July 9 through August 29 Opening Reception: Friday, July 9, 6:30 to 9 p.m. Artists Noah Breuer, Alexandra Knox and Manda Remmen all look at the issues lurking behind capitalism labor, ownership and consumerism from different points of view. Breuer delves into family members lost in the Holocaust who ran a textile-printing business, Carl Breuer and Sons, until Nazis took it away from them in 1939 through the reproduction of textile designs from the C, B & S archives; Knox addresses the hardships of child-rearing with “Stockpile,” a sculpture of plaster milk bags, and “PunchCard,” a series mimicking time cards punched for the labor of caring for a newborn; and Remmen uses rearrangeable house-paint color chips named in fancy script to cast shade on the ridiculous commercial names of said colors.
Shirley Anne Field on the steps of the Royal Hotel, Weymouth Thanks to Mike Groves who got in touch after reading our article about the filming of The Damned in Weymouth & Portland. His father, who was a carpenter working for a local building firm, was involved with building of some sets for the filming. Mike said: I know he made the replacement railings on the bridge where the car turned off the bridge into the sea. They were not plastic but made of timber with window sash weights inside to stop them floating. He also worked on making a door entrance in a cave below Cheyne house.