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Woman who bit her mother during early-morning assault gets probation - Kamloops News

Woman who bit her mother during early-morning assault gets probation - Kamloops News
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Charleston opens first Nina Hamnett retrospective


Charleston opens first Nina Hamnett retrospective
Nina Hamnett (1890-1956), Dancer (Rupert Doone 1903-1966), 1922-23. Oil on canvas, 45 x 29cm. Collection. Heritage Doncaster, Doncaster Council.
LEWES
.-Charleston reopened with the first major retrospective of the work of British artist Nina Hamnett (1890 – 1956), a central figure in the London and Paris art scenes of the early 20th century. Featuring works that span three decades, the exhibition showcases Hamnett’s incredible eye for portraiture and reveal key aspects of her practice which has, in recent times, remained little known and unseen.
Born in Tenby, Wales, Hamnett was at the heart of the British-French exchange of art and ideas during the 1910s and 1920s and was a key point of connection between the Bloomsbury group, the Camden Town Group and the School of Paris. She became a celebrated artist in both London and Paris, exhibiting widely in solo and group shows, including those of The London Group and ....

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Starry line-up announced for Charleston this summer


Helena Bonham Carter
Spokeswoman Tracy Jones said: “Drawing on the rich history of the house and its occupants, this June to September’s outdoor programme brings Britain’s leading artists, writers and thinkers on art, film, literature, music and society to Sussex.
“Featuring famous writers Antonia Fraser, Jeanette Winterson and John Cooper Clarke, renowned fashion editor Alexandra Shulman, artist Jeremy Deller and Hollywood actor Helena Bonham-Carter, Charleston’s wide-ranging summer programme, on a new outdoor stage designed by Pup Architects, explores such diverse themes as 19th-century women’s rights, artificial intelligence (AI) and economist John Maynard Keynes as you have never seen him before. ....

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Rarely seen paintings by Nina Hamnett, fringe member of the Bloomsbury Group, go on show at Charleston


Nina Hamnett’s The Landlady (1918). The artist said she wanted to paint “psychological portraits” that “represent accurately the spirit of the age”
Photo: © Bridgeman Images
Despite Nina Hamnett’s best efforts to buck convention, the story of this Queen of Bohemia fits the mould of many other Modernist women artists. She painted and had solo exhibitions, was celebrated by critics and collectors, then died and vanished. Hamnett was forgotten soon after her death in 1956, with most of her paintings hidden from public view in the homes of her patrons’ descendants.
Where her legacy veers from this trope of the woman artist is that she was immortalised by male peers such as Walter Sickert and Roger Fry, so that if you have heard of her at all, it is likely as a model. Or you may know her from her bestselling autobiographies, in which she described enlivening the parties of her Bloomsbury Group or Parisian friends. ....

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