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Ali Sethi: more than meets the eye


SOURCE: Ali Sethi Facebook page (https://bit.ly/3gaIzYV)
Ali Sethi: more than meets the eye
Sethi is reconciling Pakistan with its checkered past and contextualising its mysterious future
During my recent trip to Pakistan, a good friend of mine introduced to me a song that has since become our go-to jam - I’m talking about the Coke Studio rendition of
by Ali Sethi and Quratulain Balouch. While Quratulain’s forceful voice captivated my senses, it was Ali Sethi’s crooning that had me floored. Since then
, Mundiya became my gateway drug into Ali Sethi, a name I had heard in passing for the last couple of years, (I remember seeing his concert posters on the Harvard campus when I lived in Boston) and I was introduced to the rich tapestry of his songs including ....

United States , City Of , United Kingdom , Farida Khanum , Ziaul Haq , Shuja Uddinjune , Sarmad Khoosat , Quratulain Balouch , Gulbeen Gulraiz , Mira Sethi , Iqbal Bano , Chandni Raat , Awais Gohar , Faiz Ahmed , Sethi Moodboard , Mundiyaby Ali Sethi , Ali Sethi , Chan Kithan , Ustaad Naseeruddin Saami , Haroon Rashid , Asian Network , Coke Studio , While Quratulain , Hum Dekhengayhad , General Ziaul , Royal Geographical London ,

Quarter Mile


Sun, 04, 21
The presumption must be that in 2021 everything in pop culture, including music, has slowed down. However, having lived through 2020 when the Covid-19 (coronavirus) pandemic had already hit the world, the music industry learned to adapt.
Though Covid-19 is still a reality that has affected live music seriously, vaccines have brought the semblance of a silver lining. Given these abnormal times, major developments took place in the overall music ecosystem.
“I can’t believe the news today/Oh, I can’t close my eyes and make it go away/How long, how long must we sing this song? How long? How long?” – ‘Sunday Bloody Sunday’ by U2 ....

North West Frontier , Ahsan Khan , Zeb Bangash , Faris Shafi , Arieb Azhar , Quaid Ahmed , Meesha Shafi , Wali Hamza , Kinza Hashmi , Shamoon Ismail , Omer Shahzad , Aima Baig , Sharoon Shahid , Shallum Xavier Fuzon , Ali Sethi , Ali Hamdani , Anoushay Abbasi , Raat Dhallay , Taha Hussain , Adnan Siddiqui , Natasha Baig , Zhalay Sarhadi , Atif Aslam , Sinnan Fazwani , Rohail Hyatt , Ali Suhail ,

Self-Destruct Mode


Self-Destruct Mode
The 
Express Tribune go from a newspaper with a lot of potential and grit, sometimes misplaced but usually always earnest, to being one that is now so fond of white space it offers readers blank pages in
The International New York Times, which comes bundled with it every day. I say this for two reasons; one is personal, the other relating to the broader perspective of a state and society that need more, not less, responsible freedom of expression and debate.
I wrote for the 
Tribune for more than three years. Apart from an occasional intervention by an over-enthusiastic desk-hand to improve my syntax, the newspaper never interfered with my content. I wrote on multiple issues and, since I am a cultural liberal and a strategic conservative, I suspect some of my writings on strategic issues didn’t really sync with the paper’s worldview. They got published nonetheless. ....

New York , United States , North West Frontier , Omarr Quraishi , Ali Sethi , Imtiaz Alam , Abbottabad Commission , Media Group , Jang Group , International New York Times , Services Intelligence , Ejaz Haider , Theexpress Tribune , Daily Times , Inter Services Intelligence , Express Media Group , Theinternational New York Times , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , வடக்கு மேற்கு எல்லை , அலி சேதி , இமியஸ் ஆலம் , அபபோட்டபடி தரகு , மீடியா குழு , ஜங் குழு , சர்வதேச புதியது யார்க் முறை ,