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An art-themed, socially-distanced, snow-shoey trip to the Berkshires


An art-themed, socially-distanced, snow-shoey trip to the Berkshires
Here’s how we did it, in case you’ve got the itch to get away.
By Diane Bair and Pamela Wright Globe Correspondent,Updated December 16, 2020, 12:00 p.m.
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“Cows
love this piece,” says Olivier Meslay of The Clark Art Institute in Williamstown, indicating a sculpture called “Knee and Elbow,” by artist Nairy Baghramian. “They like to rub up against it because it feels so good.” Made of pitted marble, with stainless steel joints, the work resembles a bale of hay from a distance — which perhaps adds to its bovine appeal. Cows and art museums aren’t a typical pairing — unless you count the colorful cow art of Steven Brown — but this isn’t your usual show. The exhibit is called Ground/work, and its “gallery space” comprises 140 acres of pastoral and wooded campus surrounding The Clark, where neighbors include ....

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The most important moments in art in 2020


The most important moments in art in 2020
Noah Davis, Untitled, 2015 © The Estate of Noah Davis. Courtesy The Estate of Noah Davis.
by Holland Cotter, Roberta Smith and Jason Farago
NEW YORK
(NYT NEWS SERVICE)
.- The year was a 12-month stress test. When I asked friends, “How are you?” the repeat answers came: “Anxious,” “depressed,” “bored.” The first two I could relate to, but bored is something I rarely am. As a journalist, I’m addicted to art-specific information, to taking it in, parsing it, sorting it, trying to make sense of it. And there’s been a ton of it this year, all pretty intense. So as long as I’ve had a laptop, a home library, and at least some access to “live” art, I’ve been OK in lockdown mode. Here are some things that have kept me focused. ....

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