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BIG W and Facebook Messenger launch The Big-Headed Bilby! experience via M&C Saatchi, Sydney

BIG W and Facebook Messenger launch The Big-Headed Bilby! experience via M&C Saatchi, Sydney
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Rich and neglected music given a chance to shine

‘Rich and neglected music’ given a chance to shine We’re sorry, this service is currently unavailable. Please try again later. Dismiss By Peter McCallum Normal text size ★★★★½ The song cycle takes the listener into one of music’s most personal spaces, like reading poems in the privacy of your own imagination. Although they do not usually tell stories operatically, Sydney Chamber Opera gave a series of song cycles a subtle narrative in a series of “cycles of song cycles”, as SCO Artistic Director, composer and pianist for these concerts Jack Symonds put it. Jane Sheldon’s voice captured an iridescent quality as it mixed with the resonance of the old church’s wooden beams.

Best shows to see in Sydney before the Discover voucher cut-off

The Pact review – Wales s Big Little Lies will have you on tenterhooks | Television & radio

Last modified on Mon 17 May 2021 17.15 EDT I have been burned by enough TV thrillers to be wary of The Pact (BBC One). You know the ones. They are not all on ITV, but most are. They are showy crime dramas, usually stripped across the week, with a strong premise, a story that sets up a puzzle to be solved, only for it all to descend into farce in the final episode as the plot ties itself in knots. Even so, show me a starry cast and a hint of mystery and it is likely that I will be sucked in again. The Pact is the latest, luring viewers in with Julie Hesmondhalgh, Eddie Marsan, and a whodunnit with plenty of options in play. A group of friends work together in a brewery in the Welsh valleys, under the reign of Jack Evans (Aneurin Barnard), a man who scoffs in the face of the HR department. Jack is the son of retired owner Arwel (Marsan), and has become a cocaine-loving, sports-car-driving bully who uses his position of power to get women to sleep with him. He is also nursing a deep p

CIMF / Reflective concert draws a mixed reaction

Canberra International Music Festival / Concert 8, “Do I Matter?”  At the Fitters’ Workshop, May 2. Reviewed by IAN McLEAN. “DO I Matter?” is one of a two part chamber music work in the “Hidden Thoughts” series by Australian composer Katy Abbot, the senior lecturer in composition at the Melbourne Conservatorium of Music. “Hidden Thoughts” came about following an online survey where more than 200 women submitted answers to questions, such as: “Do you have hidden thoughts and feelings and what have you learned to be brave about?” Those answers became the text for “Do I Matter?” which received its world premiere performance as part of the Canberra International Music Festival.

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