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Virtual Classes: Will 3D Models Replace Hand Drawn Renderings?

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2020 and the Covid-19 pandemic forced architectural students around the world to go virtual with their classes and coursework, transforming the way architecture was both taught and learned. Once based primarily on in-class participation, and collaboration, architectural workshops had to take on whole new methods of instruction. Conversations and debates between students and their instructors, a key element of architectural education were relegated to phone and video calls as well as written documents, making digital formatting an essential tool for students to share their ideas and receive feedback on their work.
Visualizing an idea is an essential part of the design process and allows students to share their proposals with their peers and their teachers as well as allowing themselves to glimpse the strengths and weaknesses of their design. These visuals represent communication, observation, and intention. During the first years of architectural school, analogical m ....

Maggie Johnson , Prehistoriay Arqueolog , Julio Andr , Flores Prats , Music School Of Chetham , Kaira Looro International Architecture Competition , Salesforce Transit Center Pelli Clarke Architects , Pinedo Agudelo , Brck Visual , Transit Center , Pelli Clarke , Kaira Looro International Architecture , Cultural Village , Petras Architecture , Music School , Image Cortes , Land Drawing , Architecture Models , E Imagined , Archdaily Topic 2021 Rendering , மாகி ஜான்சன் , ஜூலியோ அன்று , ஃப்ளோர்ஸ் ப்ரெட்ஸ் , போக்குவரத்து மையம் , பெள்லி கிளார்க் , கலாச்சார கிராமம் ,

The Morning Chapel / Flores & Prats

The forest.
The chapel is presented as a wall parallel to the path. This wall has a door, offering the option to step aside from the common route and move into the forest, abandoning the known destiny offered by these lineal paths in favor of the unknown, at risk of disorientation. The chapel becomes a door to the forest, to the grander entity to which it belongs: a natural dome made out of the adjacency of tree branches. The fragmentary condition of the chapel is thus complemented by the pine forest, and borrows its natural qualities from the trees in it: the smell, the fresh air, the noises and the light. Both elements, built and vegetal, form a natural clearance that embraces the visitor and creates a place to stay. It is a change of rhythm, a change of breath. ....

United States , Villa Adriana , Flores Prats , Venice Biennale , Danae Santiba , Morning Chapel , San Giorgio , ஒன்றுபட்டது மாநிலங்களில் , ஃப்ளோர்ஸ் ப்ரெட்ஸ் , வெனிஸ் பின்னலே , காலை தேவாலயம் , சான் ஜார்ஜியோ ,