Architecture, sculpture, painting, even the landscape, create a vision of a perfect place, a place of fantasy and myth where gods might walk with men, somewhere, of course, which has never existed in history. It is imagined, of heamt, halfremembed ancient grce and rom the poet shelley wrote at the beginning of the 19th century, we are all greeks. Our laws, our literature, our religion, our arts ll have their roots in greece. But for greece, we might still have been savages and idolaters. The human form and the human mind attained to a perfection in greece which has impressed its image on those faultless productions whose very fragments are the despair of modern art and which can never cease to delight mankind until the extinction of the race. In the 18th and 19th centuries, europeans surrounded themselves with the images of greece and rome. They created for themselves personal museums which displayed their wealth, taste, and learning and idealized the virtues of reason, liberty, and ju
Gam made possible by e financial pport of. And the following individuals and foundations. Corporate funding for art of the western world isy movado, makers of the Movado Museum watch, the watch dial design in the permanent collections of museumsthughout the. Captioning made possible by the Annenberg Cpb project architecture, sculpture, painting, even the landscape, create a vision of a perfect place, a place of fantasy and myth where gods might walk with men, somewhere, of course, which has never existed in history. It is imagined, yeit h been eated out ofgmts of haleamt, halfremembered ancient greece and rome. The poet shelley wrote at the beginning of the 19th century, we are all greeks. Our laws, our literature, our religion, our arts ll have their roots in greece. But for greece, we might still have been savages and idolaters. The human form and the human mind attained to a perfection in greece which has impressed its image on those faultless productions whose very fragments are th
Architecture, sculpture, painting, even the landscape, create a vision of a perfect place, a place of fantasy and myth where gods might walk with men, somewhere, of course, which has never existed in history. It is imagined, yet h been eated out of fragments of haleamt, halfremembed ancient greece and rome. The poet shelley wrote at the beginning of the 19th century, we are all greeks. Our laws, our literature, our religion, our arts ll have thr roots in greece. But for greece, we might still have been savages and idaters. The human form and the human mind attained to a perfection in greece which has impressed its image on those faultless productions whose very fragments are the despair of modern art and which can never cease to delight mankind until the extinction of the race. In the 18th and 19th centuries, europeans surrounded themselves with the images of greece and rome. They created for themselves personal museums which displayed their wealth, taste, and learning and idealized th
Architecture, sculpture, painting, even the landscape, create a vision of a perfect place, a place of fantasy and myth where gods might walk with men, somewhere, of course, which has never existed in history. It is imagined, yet it has been created out of fragments of halfdreamt, halfremembered ancient greece and rome. The poet shelley wrote at the beginning of the 19th century, we are all greeks. Our laws, our literature, our religion, our arts all have their roots in greece. But for greece, we might still have been savages and idolaters. The human form and the human mind attained to a perfection in greece which has impressed its image on those faultless productions whose very fragments are the despair of modern art and which can never cease to delight mankind until the extinction of the race. In the 18th and 19th centuries, europeans surrounded themselves with the images of greece and rome. They created for themselves personal museums which displayed their wealth, taste, and learning
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