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Yve-Alain Bois - Artforum International

To fully honor the legacy of Ellsworth Kelly, whose centennial falls on Wednesday, is not only to remember his singular and deceptively clear-cut contributions to art, but to remain open to life’s vibrant, infinite particularities. After all, Kelly saw his elating colors and shapes as residing “forever in the present,” as Yve-Alain Bois reminds us in a tribute to the late artist published in Artforum’s January 2016 issue. Bois, a leading scholar of Kelly’s work as well as his dear friend, nominates him as “the last happy modernist,” his art a “rock of optimism no matter how grim the world becomes ....

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James Meyer on Yve-Alain Bois's An Oblique Autobiography - Artforum International

An Oblique Autobiography, by Yve-Alain Bois; ed. Jordan Kantor. San Francisco and New York: no place press, 2022. 376 pages.THE PUBLICATION of Yve-Alain Bois’s latest book marks a watershed in the oeuvre of this influential scholar. What is the place of this most personal (and most surprising) of Bois’s publications in the arc of a career that extends from his cofounding of the groundbreaking journal Macula in the mid-1970s to teaching positions at Johns Hopkins and Harvard to his tenure as professor at Princeton’s Institute for Advanced Studies, a position he held from 2005 to 2022? What insights ....

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Aria Dean with McKenzie Wark

Aria Dean is an artist who works in multiple media. Her interest in materialist and structural film has always been an intellectual base, and in her new film Abattoir, U.S.A.! she builds upon that base in ways that expand her creative practice. Dean speaks with McKenzie Wark about the connection between her earlier film and her newest piece, the importance of collaboration, and the challenges of being an artist who is also a noted writer. ....

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