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Lessons from a Shaman: How to Curate a Biennial in a Pandemic


ArtReview
Defne Ayas and Natasha Ginwala, artistic directors of the 13th Gwangju Biennale, 2021.
Photo: choi.ok.soo.
‘‘We are convinced that access to spirit-worlds can help us to move beyond linear and hierarchical genealogies of knowledge that has been shaped by and through extractive forces and colonial modernity.’’
After two postponements, the 13th Gwangju Biennale, titled
Minds Rising, Spirits Tuning is set to open this April.
ArtReview Asia caught up with its artistic directors, Natasha Ginwala and Defne Ayas to talk about the challenges of curating during a pandemic and the resultant lockdowns, and about their hopes for the show when it opens. ....

Cheju Do , South Korea , Hong Kong , Republic Of , Natasha Ginwala , Cecilia Vicu , Beaska Niillas , Gwangju Biennale , Ruha Benjamin , Reem Abbas , Sissel Tolaas , Yuk Hui , Catherine Malabou , Lynn Hershman Leeson , Jacolby Satterwhite , Femke Herregraven , Korakrit Arunanondchai , Artreview Asia , Defne Ayas , Vaginal Davis , Brook Andrew , Djamila Ribeiro , Huiyeon Choi , Haaweatea Holly Bryson , Gwangju National Museum , Gwangju Biennale Foundation ,