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Tribute - by Yanni - Audio CD - LIKE NEW Only 1 available Condition: New other, see desc Returns: 30 days, buyer pays return shipping (more) The album s title is Tribute, but it just as easily could be called Spectacle. Everything here is done on a grand scale, from its ambitious staging areas (the Taj Mahal and China s Forbidden City re-creations) to its large gathering of instrumentalists (more than two dozen) to the histrionics of two impassioned vocalists on a pair of the album s 11 tracks. The only thing missing seems to be the maestro himself so submerged is the visionary-keyboardist in the mix. The musician showcased most often on Tribute turns out to be energetic violinist Karen Briggs, a familiar figure by now to all who have watched Yanni s global ramblings on television. The compositions and arrangements, it seems, are intended to be the stars as Yanni lives out his Beethoven-like dream sequence. Stylistically, the music ranges from urban smooth jazz to ....
Yanni Once Upon A Time Face In The Photograph In The Mirror Yanni tacitly announced he was becoming a kinder, gentler, more thoughtful musician with the release of this 1992 studio recording. The triumphant surges and tympani-powered sonic eruptions that often distinguished his ear. more »lier works are replaced here by greater emphasis on billowy clouds of stardust. Yet even on its own subdued terms, Dare to Dream is largely an attractive package designed for Yanni s legions of newer fans who discovered him on Oprah or PBS. If you remember to program your CD-player to skip Aria, a shrill, operatic oddity, you ll discover the album s strengths lie in its more energetic compositions particularly Desire and You Only Live Once. On the quiet side, the affecting To the One Who Knows is a soul-searching gem that bears repeated listening. Terry Wood ....
Yanni North Shore of Matsushima Forbidden Dreams Yanni s 1986 debut release for Private Music remains one of his most striking works. Created in the vinyl era and thus clocking in at a modest 39 minutes, Keys to Imagination nevertheless captures some of Yanni s most expa. more »nsive, chest-thumping efforts. While some of the electronic voicings used here are beginning to sound faintly dated, Yanni brings his own brand of propulsive, classical-edged thunder to the familiar prog-rock tactic of tension followed by release. The slow-building, Middle Eastern-flavored title track, for instance, circles overhead like a mysterious raven while you explore a deep, narrow desert canyon. In a flash, a torrent of sound roars through the chasm and sweeps you away in a flood of sonic fury. It may not be a perfect record, but it is an entertaining one. Terry Wood ....
Yanni Swept Away A Word In Private Chameleon Days is an attractive studio recording that features some of Yanni s better-known compositions: the romantic longing of Reflections of Passion, the classically gassed Marching Season, the stately progression . more »of The Rain Must Fall (which elicits comparisons to the outro of Supertramp s Crime of the Century ), and the delicate A Word in Private. At times, though, you wish Yanni had eased up just a bit on the synthesized harmonica voice. Terry Wood ....
This is broader than just that call but the call is the focus. the call has been in and of itself something that both sides look at completely differently. it s like the online viral thing. you hero laurel or yanni, do you see the gold rush of the blue dress and literally both sides look at the same transcript and see two completely different things. that is going to play out in this hearing today. just a big picture, one number for you, 7,662. that is the number of days that have passed since the last impeachment hearing, november 19th 1998. 1998. and impeachment of a president is a huge thing. this is an historic moment and because it is happening you have to look at it through that lens. that said, both sides seem to be dug in and buying some big bombshell we know what we know. speaking of time of the calendar you can also look at lightning speed in this case as well. ....