Even when architect Antonio Francisco Lisboa could no longer use his hands, he never ceased building the magnificent Late Baroque churches of Brazil, carving intricate religious scenes into soapstone facades. He tied his tools to his arms, working late into the night on his masterpieces and earning the title Aleijadinho, meaning “The Little Cripple.” At the time of his death, Brazil was in its last year of colonialism, but the echoes of his extraordinary life’s story continue to linger throughout the hallowed churches of Ouro Preto.
Half a year ago, National Geographic photographer Jimmy Chin and writer Grayson Schaffer coined the term “Little person, big landscape!” to describe the kind of picture that appeals to the masses of the Instagram era. We've all seen it; a sole figure is dwarfed by a mountain, a forest, a vast expanse of wildflowers or snow. The genre (if we can call it that) is definitely having a moment right now. In the wrong hands, it can seem cheap, even trite, but there's one reason it isn't going away: when done well, there's nothing like it.
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