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THOUGH HE WAS much else besides, Billy Apple had a convincing claim to have been the consummate artist of Pop, the one who pursued its implications so thoroughly as to have achieved escape velocity from the category altogether. His career stands as a corrective to recent attempts to internationalize Pop by multiplying local scenes across the globe. Like his peers Öyvind Fahlström, Richard Smith, Mario Schifano, and Hélio Oiticica, Apple defied parochialism by moving from his place of origin to and from London or New York, those magnets of maximum stimulus and information. At twenty-four, still