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Not just of the he talked about the successes, notjust of the operation last night to kill Hassan Nasrallah, but also of the really continual operation to actually try and secure the border from hezbollah. I dont we think we need a ground i dont we think we need a Ground Operation in lebanon. Hezbollah suffered a Weight Major hezbollah suffered a Weight Major blow not just yesterday but all major blow not just yesterday but all throughout last week. If they but all throughout last week. If they continue fighting, they will eat if they continue fighting, they will eat but they will leave us with will eat but they will leave us with no will eat but they will leave us with no option but to continue bombing and can can tony continue bombing and can can tony continue bombing and can can tony continuing to destroy the grand tony continuing to destroy the grand position and the rockets the grand position and the rockets and the launches and many rockets and the launches and many people will b ....
So you as a writer part of the strike? absolutely. yeah. and it s perfectly timed because you ve already written it and it s come out. exactly. so, yeah, now i m very, very fortunate with the timing and it s very important to bear in mind that there are people who ve been out of work for months now at this point as part of the writers strike and with the actors potentiallyjoining. a lot of people are going to suffer. so you will not be writing another film while this strike is on? no, absolutely. and it s very important that everybody understand that it is a very, very key moment in the relationship between working people in hollywood. and this is not about me. this is not about the stars of my film. this is aboutjobbing actors. this is about staff writers on television programs trying to raise a family, trying to be able to keep food on the table. and these companies have not yet accommodated how they re going to, in this new world ....
Going on strike. i wonder how you read the situation as it is now. that s about pay, it s about al. it relates to your earlier question about cinemas, actually, and about the theatrical window. you know, we re in a time right now of great upheaval financially in the film and television business. and a lot of this is driven by television. and we re dealing with companies, very, very wealthy companies who chose, in order to appeal to to wall street and have their share prices go up, they chose to radically reinvent the way in which they sell their products with some success and some failure. but in doing so, they have not paid attention to the way in which our contracts need to work as writers, and the actors have other issues. so you as a writer part of the strike? absolutely. yeah. and it s perfectly timed because you ve already written ....
In which our contracts need to work as writers, and the actors have other issues. so you as a writer part of the strike? absolutely. yeah. and it s perfectly timed because you ve already written it and it s come out. exactly. so, yeah, now i m very, very fortunate with the timing and it s very important to bear in mind that there are people who ve been out of work for months now at this point as part of the writers strike and with the actors potentiallyjoining. a lot of people are going to suffer. so you will not be writing another film while this strike is on? no, absolutely. and it s very important that everybody understand that it is a very, very key moment in the relationship between working people in hollywood. and this is not about me. this is not about the stars of my film. this is aboutjobbing actors. this is about staff writers on television programs trying to raise a family, trying to be able to keep food on the table. and these companies have not yet accommodated how they re ....
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