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From its opening frames of painted nails, hairspray and eyeliner, Sofia Coppola’s “Priscilla” is steeped in femininity in the ways Baz Lurhmann’s 2022 biopic “Elvis” was not. It’s a reminder to the audience: this movie is not about Elvis. “Priscilla” opens the gates of Graceland to tell the ‘60s love story infused with isolation, instability. ....