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To performance can be as if not more powerful backstage than it is on stage. Its that anticipation of performance where anxiety can really hit. And this helps us tailor our training to make sure were not only preparing them for what happens on stage, under the lights, in front of the audiences eyes, but also how theyre coping backstage. How do they manage that anxiety . How do they get themselves physically and mentally into a place where theyre ready to walk out on stage and give their best performance . The parallel to that in the surgical world would be allowing surgical i students to go through the process of gowning up, washing up, Doingl A Preoperative briefing with their team and making sure that theyre all on the same page. And once the students are on stage, George Waddell can control everything. He can change the venue. He can change the reaction to make the ....
this week, we re revisiting the tech that we ve seen used in and around the world of art. and the first question i have is, what is lara thinking right now? do i like it? does it make me feel happy, sad? ammie s gone to town to test the newest, oldest cameras we ve seen for a while. paul heads to florence to see how tech is revealing a 17th century artwork. and we re on the stage helping musicians get used to what it feels like to get a standing ovation, or a slow clap. how did it do that? the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commo ....
the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real time 3d visualisation. and this has four eeg sensors. that s right, four sensors that are on your forehead and picking up the electromagnetic activity off your brain. 0k. and what does that mean its going to learn from me? it s going to take this raw data right off your headset. 0ur set up processes it in lots of different ways, which kind of indicate sort of what your brain s doing when you re l ....
from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real time 3d visualisation. and this has four eeg sensors. that s right, four sensors that are on your forehead and picking up the electromagnetic activity off your brain. 0k. and what does that mean it s going to learn from me? it s going to take this raw data right off your headset. 0ur set up processes it in lots of different ways, which kind of indicate sort of what your brain s doing when you re looking at the art. when the brain recognises - ....
The video game software. each member of the audience is an individual video games character. they all behave independently. and they don t all always show up. i got lucky tonight. and what s really interesting about this space as well is there are 64 speakers hidden in the walls and ceilings, so if you change the venue. his voice echoes. ..that changes the acoustics, which forces you to change your performance. getting that sense of the acoustic makes it not so huge a jump when you re then performing onstage, compared to in all the practice rooms we have, which tend to be a much drier sound. so when it s suddenly a much bigger space that you have to fill, it s great to get a little bit of an experience of what it might sound like ahead of time. so there s the prep, there s the lights, there s the sound. but let s talk about that audience. it s a weird crowd in tonight, i can tell you. we want to test our performers focus. we want to make sure they can hold it together. ....