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Hamidi’s Forest Bathing (Chinese ink and acrylic on canvas, 2020), which is one of the works featured in the Visual Poetry Project. Photo: Wei-Ling Gallery A new initiative by Wei-Ling Galleries, a collaborative programme entitled “The Visual Poetry Project”, aims to bring the visual art scene and literature community together, by highlighting the links between these two mediums of creative expression. In this series, the gallery hopes that poets and writers will be inspired to respond to artworks through written word. The subject matter revolves around 20 paintings from abstract artist Hamidi Hadi s solo exhibition Saring II: Sublimity, currently on view at Wei-Ling Contemporary. ....
Art by Matt Chase. The law of imitative representation, aka mimesis, reigned supreme in Western art for so long that its resistors sometimes found it hard to stop battling it, even when and where it had lost its grip. Consider, for example, some responses to so-called concrete poetry on the part of advocates of so-called conceptual art. The writer and critic Lucy Lippard differentiates between concrete poetry’s naive strategies of linguistic resemblance “where the words are made to look like something, an image” and conceptualism’s more sophisticated liberty “where the words are used only to avoid looking like something, where it doesn’t make any difference how the words look on the page or anything.” ....
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