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Sundance liked her documentary on terrorism, until Muslim critics didn t

Meg Smaker felt exhilarated last November. After 16 months filming inside a Saudi rehabilitation center for accused terrorists, she learned that her d

Sundance Liked Her Documentary, Jihad Rehab, Until Muslim Critics Didn t

The film festival gave Meg Smaker’s “Jihad Rehab” a coveted spot in its 2022 lineup, but apologized after an outcry over her race and her approach.

Realscreen » Archive » AXS Lab names inaugural film fund recipients

AXS Lab unveiled the first round of AXS Film Fund grantees this week, who will receive support from the labs to make films and create content. Led by filmmaker and disability .

Virtual reality film takes you inside infamous South American jail

Virtual reality film takes you inside infamous South American jail We’re sorry, this service is currently unavailable. Please try again later. Dismiss Save Normal text size Advertisement A mysterious woman flanked by two blue jaguars welcomes you to an infamous South American jail. You don a golden mask, step inside and take a surreal journey among guards, prisoners, spirits and animals. Virtual reality film heading for Sundance: director Violeta Ayala with (from left) producer Dan Fallshaw, composer XNYWOLF (Andre Patzi) and 3D Illustrator Roly Elias at the United Notions studio in Sydney’s Petersham. Credit:James Alcock Violeta Ayala’s virtual reality film

Namoo, Tinker, Prison X & More Premiere at Sundance Film Festival This Week

This year there’s a scaled-down selection of titles to view, with Baobab Studios’ Namoo is Korean for “tree”, taking viewers on a journey through a man’s life with each branch a different memory. Created using Oculus’  Quill,the project will be coming to Oculus platforms later this year. And then there’s Prison X, Chapter 1: The Devil and The Sun, a new VR series from Quechua filmmaker Violeta Ayala. The first episode takes you into Bolivia’s infamous San Sebastian Prison as Inti, a young man imprisoned after his first job as a drug mule. “It was my world but it wasn’t a world you could capture with a camera,” says Ayala who grew up three blocks from the prison. “And I needed technology that wasn’t yet invented – virtual reality.”

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