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Osmosiss sculptures are cobbled of fractured analogies for how materially removed we have become from the object worlds formerly resistant, concrete reality, and how the artist as scavenger of such a phenomenological ruin can imagine their version of what might be called a funky genre stability. Despite his works seeming at first to be composed of whimsical and fleeting non sequiturs, Osmosis is a profoundly considerate artist who exerts an uncanny capacity to make his ostensibly ersatz sculptures stick in ones poetic recesses as substantially specific objects.
A few weeks after our first studio visit in December 2022, I received an accidental text message from Hannah Beerman containing a photograph of a handwritten note that read I am in love with painting. I wish it could have sex with me. A fortunate accident, as it gave me the kind of intimate glimpse into Beermans mind that I had not yet quite earned at that early point in our acquaintancelike winning a prize without having enrolled in the competition.