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The End of Eddy, Edinburgh International Festival 2022 review - powerful but lacking compassion

An energetic, lithe gig-theatre adaptation of Édouard Louis’s 2014 trauma memoir can't escape the book's limitations. Theatre review by David Kettle

Edinburgh International Festival reviews: Czech Philharmonic 1 | The End of Eddy | Kae Tempest | Arab Strap | Australian World Orchestra | A Little Life | Hebrides Ensemble

Our critics’ verdicts on the EIF’s third weekend, from the Czech Philharmonic’s bold opening concert to two powerful pieces of theatre

Edinburgh Festival Theatre: The End of Eddy

Weg met Eddy Bellegueule review – a four-way triumph

Sun 31 Jan 2021 05.30 EST This story of an outsider looks more central each time it is told. Édouard Louis’s 2014 biographical novel The End of Eddy follows a boy growing up gay and bullied in a poverty-stricken town in north-eastern France. It has been translated into more than 20 languages and was given a sharp staging three years ago at Edinburgh, in a version by Pamela Carter. International theatre, livestreamed and subtitled, has come closer during the pandemic. Last Saturday, a 2020 adaptation of Louis’s book by the young Norwegian director Eline Arbo could be caught on screen. Performed in Dutch, but with English subtitles, at the Internationaal Theater Amsterdam, it was transcendent.

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