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[ sound of gunfire ] as far back as i can remember, i always wanted to be a gangster. goodfellas is like, fasten your seatbelts, i m going to kick the shit out of you for two and a half hours, and you re going to love it. there have been so many gangster movies, so many mob movies. is it really possible that in 1990 martin scorsese will be able to make a gangster movie that has something to say that hasn t already been said a million times? it s gonna be a good summer! and you watch the movie and you re like, yeah! see you later, thanks. what are you doing? you re leaving your car? he watches the car for me. we tried to capture the exuberance of that world. it s dangerous and threatening, but they re having a wonderful time. goodfellas was the nuts and bolts of the mob. it was the mob as a job. what do you do? what? what do you do? i m in construction. and the balance of these two families, of your mob family and your ....
When she was talking about the dynamics between men and women who were attracted to each other or need each other and are searching for each other and don t really know it, she was a genius. i m the guy you don t usually see. i m the one behind the scenes. i m the sports agent. i wanted to write a movie that begins where an 80s movie ended. what s going on? they fired jerry maguire. the script went right to tom cruz. he calls in immediately, i love this script, i ll read it with you and you tell me if i m right for it. don t worry. i m not going to do what you all think i m going to do. and basically i ve been geeking out over his performance ever since. right, right, jerry maguire, how are you doing? how am i doing? ....
America was truly an american citizen, we wouldn t have a racial problem. if the emancipation proclamation was authentic, we wouldn t have a race problem. watching a guy like denzel as malcolm x, top of the game, intimidating in many ways. mr. becket, come in. when we made philadelphia, he was malcolm x already. that was like starting a movie with marlon brando and having just seen the godfather the night before. i have aids. oh. oh, i m sorry. philadelphia was an important film. denzel washington represents the audience s apprehension with people with aids. how did they find out you have the aids? one of the partners noticed a lesion on my forehead. so as his character spends more time with tom hanks, you re starting to see him as more than ....
Down for ten or so years, you down for ten or so years, you know, off-off-off-broadway and then enough is enough, okay, i get the joke. chris surrounds himself with great, funny people. eugene, fred willard, catherine o hara. i m so nervous. you re going to be great. if there s an empty space, just say a line, that s what i like to do, even if it s from another show. chris works in miniature. chris is very much like peter sellers. such fine taste. and when it hits right, it s amazing. and that s the that s the way it is? then i just hate you, and i hate so she starts a miro to brainstorm. “shoot it?” suggests the scientists. so they shoot it. hmm. back to the miro board. dave says “feed it?” and dave feeds it. just then our hero has a breakthrough. shoot it, camera, shoot a movie! and so our humble team saves the day by working together. ....
all right, this is my flair, okay? and this is me expressing myself, okay? teacher s pet, i want to be teacher s pet i want to be huddled and cuddled as close to you as i can get christopher guest is considered the master of the mockumentary. he comes up with characters that are profoundly silly. when we were on snl together, chris did a movie with marty and harry called synchronized swimming. i ve been directing regional theater, shakespeare in the park. if i ever do that again, i m just going to be, you know, kill myself with a vegematic. that s where the character in waiting for guffin was born. me right out of the navy, fresh off a destroyer, with a dance belt and a tube of chapstick, basically. not really much to call my own. then basically being slammed ....