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Max Ernst: Une Semaine de bonté, Photographs & Ephemera, 1933-1934 on view at Ubu Gallery

Max Ernst: Une Semaine de bonté, Photographs & Ephemera, 1933-1934 on view at Ubu Gallery
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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net., art daily,art news,artdaily, daily art, art, art newspaper, Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 360 Images, 3D Images, Last Week,, , , , ,

Phillips to offer Property from the Collection of Rosa and Aaron Esman

a href= http://www.phillips.com target= blank Phillips /a announced Property from the Collection of Rosa and Aaron Esman, a collection of over 15

Mike Kelley and the Ghost of le Comte de Lautréamont

Mike Kelley and the Ghost of le Comte de Lautréamont
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Mail art may be the perfect pandemic art form

Mail art may be the perfect pandemic art form  Learn more about the history of the movement in a retrospective at Winter Park s CFAM One of several excellent exhibitions currently on display at Rollins College s Cornell Museum, Pushing the Envelope: Mail Art from the Archives of American Art looks at the secret history of mail art, an anti-fine art movement in which artists, art enthusiasts and conceptual pranksters around the world used the postal service to collaborate and disseminate works far beyond the reach of the gallery or the academy. Pushing the Envelope is curated by Miriam Kienle, an assistant professor of art history at the University of Kentucky, with the help of some of her intrepid students, with materials sourced from the Smithsonian s extensive holdings. The exhibition has been displayed at the Smithsonian Institute of American Art and other museums, and arrives at Rollins College at an oddly appropriate time.

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