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A big hallelujah for the NZSO's rendition of Handel's Messiah


The NZSO at practice in the Michael Fowler Centre.
Handel’s Messiah. New Zealand Symphony Orchestra conducted by Gemma New with Anna Leese (soprano), Sarah Court (alto), Frederick Jones (tenor), Robert Tucker (bass) and The Tudor Consort. Michael Fowler Centre, November 12. Reviewed by Max Rashbrooke.
From the first moments it felt like we were in the hands of a master. Conductor Gemma New, a study in pale, concentrated energy, had complete control over the stunning orchestral writing of Handel’s famous Messiah.
Committed, as is the modern trend, to a story-telling Messiah and not just a beautiful sound, she worked each of the 47 movements into its own little gem, distinct from all the others. Right from the opening ‘Sinfony’, its string parts bright and darting, New was committed also to a distinctively baroque dynamic, with sudden and sharp contrasts of volume and tone. ....

Max Rashbrooke , Anna Leese , Robert Tucker , Thomas Beecham , Frederick Jones , Sarah Court , Michael Fowler Centre , Alto Sarah Court , New Zealand Symphony Orchestra , Gemma New , Sir Thomas , Tudor Consort , அண்ணா லீஸ் , ராபர்ட் டக்கர் , தாமஸ் பீச்சம் , ஃப்ரெடரிக் ஜோன்ஸ் , சாரா நீதிமன்றம் , மைக்கேல் கோழி மையம் , ஆல்டோ சாரா நீதிமன்றம் , புதியது ஜீலாந்து சிம்பொனி ஆர்கெஸ்ட்ரா , ஜெம புதியது , ஐயா தாமஸ் , டியூடர் மனைவி ,