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Elsa Dreisig, Jonathan Ware, Wigmore Hall review - a glorious voice unleashed

Kuerti opens Kalamazoo Symphony season with a symphony that takes him back to his childhood

Marie-Laure Garnier chante des mélodies de Ravel, aux côtés de l Orchestre Philharmonique de Strasbourg

Marie-Laure Garnier chante des mélodies de Ravel, aux côtés de l Orchestre Philharmonique de Strasbourg
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The Fantastic World Of Maurice Ravel | 3 Quarks Daily

by Anitra Pavlico Lately I’ve been craving the music of French composer Maurice Ravel (1875-1937). As reality continues to be fraught, in the midst of a pandemic, social unrest, culture wars, and on and on, Ravel’s music offers an enticing escape. Described by his close friend, concert pianist Ricardo Viñes, as “inclined by temperament toward the poetic and fanciful,” Ravel created music that continues to captivate with its otherworldly beauty. Another reason for his appeal now, when the public health crisis has disrupted all of our quotidian rhythms, is that rhythm is the sine qua non of Ravel’s art. All you have to do is listen to

El Nour : How Fatma Said unites musical heritage from across the world in debut album

One Thousand and One Nights in the late 18th century, the then-teenager was immediately enchanted by the short story collection’s fictional narrator, Scheherazade. Years later, the acclaimed French composer attempted to create an opera revolving around Scheherazade s life. Taking the stories, settings and atmosphere from the page to the stage, however, proved an insurmountable task. What remains of the project is the 1904 three-song cycle, also titled Scheherazade, which comes with lyrics lifted from the poetry of French writer Tristan Klingsor. These works open Fatma Said s debut album, El Nour. While Ravel didn’t complete the project, the Egyptian soprano says his dream of fusing cultures speaks to both the heart of her album and her career goals.

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