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Described as a trick artist, but i don t consider trick art to be my main work. i do definitely utilize illusion. your brain takes what you see on the surface of the water and makes you think that the object you re seeing has been compressed. my goldfish don t have any thickness. people automatically imagine the depth and feel. perfecting this intricate illusion takes years of painstaking trial and error. translator: there would be pieces where i had spent months to make and just as i put in the last layer, it would get destroyed. for each layer of resin, my heart is contracting little by little, making sure that no air is getting in. sweating while doing that. don t blink. these 100 goldfish swimming through rippled water are actually part of his 2011 exhibit called goldfish salvation in london s icn gallery. ....
first, i pour a thin layer of resin into a container. then i would paint the pelvic fins and the fin on the underside. and then i would pour another layer of transparent resin, and then wait for two days. the tech neck requires inthe credible patience, it can take two months to complete even a small design. after it hardens, i would paint the bottle. when that hardens i paint another layer, this time of scales. i would pour transparent resin, wait for two days, and i would repeat that process until i m satisfied, until it becomes three dimensional. i would keep adding layers. the result blurs the line between what is real and what is perception. his fish look so true to life they are frequently mistaken for the real thing. i have been described as a trick artist. but i don t consider trick art ....
Trick artist. i don t consider trick art to be my main work. i do definitely utilize illusion. your brain takes what you see on the surface of the water and makes you think that the object you are seeing is compressed. my gold fish don t have any thickness. people automatically imagine the depth and feel. perfecting this intricate illusion takes years of painstaking trial and error. there would be pieces where i had spent months to make and just as i put in the last layer, it would get destroyed. for each layer of resin, my heart is contracting little by little making sure that no air is getting in sweating while doing it. don t blink. these 100 gold fish swimming through rippled water are actually part of his 2011 exhibit called gold fish salvation in london s icm ....
Then i would paint the pelvic fins and also the fin on the underside, and then i would pour another layer of transparent resin and then wait for two days. the technique requires incredible patience. it can take two months to complete even a small design. translator: after it hardens, i would paint the body. when that hardens, i paint another layer. this time of scales. i would pour transparent resin, wait for two days, and i would repeat that process until i m satisfied. until it becomes three-dimensional. i would keep adding layers. the result blurs the line between what is real and what is perception. his fish look so true to life they are frequently mistaken for the real thing. translator: i have been described as a trick artist, but i don t consider trick art to be my main work. i do definitely utilize illusion. ....