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Faster Than Sound: Live Music Preservation Fund Outlays Another $3.5 Million

Faster Than Sound: Live Music Preservation Fund Outlays Another $3.5 Million
austinchronicle.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from austinchronicle.com Daily Mail and Mail on Sunday newspapers.

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Event Designer Bobby Garza In Austin, In a Pandemic: 'Food or No Food,' That Is the Question

Many issues need to be addressed before indoor concerts can resume
and be viable, like whether to require masks or serve food. The biggest thing, Bobby Garza says, is to fix your HVAC system.
When the concert business shut down in March 2020,
Bobby Garza abruptly shifted from putting on live events to tearing them down his company, Austin-based Forefront Networks, had to cancel the California food-and-music festival Yountville Live later that month. In early April, his life changed even more dramatically: Forefront furloughed 30 percent of its staff, including him.
As part of
Billboard s efforts to best cover the coronavirus pandemic and its impacts on the music industry, we will be speaking with Garza, a 43-year-old former Forefront creative team leader who used to be general manager of festival producer Transmission Events, every other week to chronicle his experience throughout the crisis. As of early January, he is now vice president of programs an ....

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Event Designer Bobby Garza in Austin, in a Pandemic: Can't 'Flip a Switch' and Go Back to Normal

Bobby Garza
With vaccines and federal relief funds on the way, Garza talks lingering uncertainties for the live music space in 2021.
When the concert business shut down last March,
Bobby Garza abruptly shifted from putting on live events to tearing them down his company, Austin-based Forefront Networks, had to cancel the California food-and-music festival Yountville Live later that month. In early April, his life changed even more dramatically: Forefront furloughed 30% of its staff, including him.
As part of
Billboard s efforts to best cover the coronavirus pandemic and its impacts on the music industry, we will be speaking with Garza, a 43-year-old former Forefront creative team leader who used to be general manager of festival producer Transmission Events, every other week to chronicle his experience throughout the crisis. As of early January, he is now vice president of programs and community outreach at the Long Center, a performing-arts facility in ....

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Faster Than Sound: Growing Up Margin Walker

Explosions in the Sky at Sound on Sound Fest in 2016 (Photo by David Brendan Hall)
During my teenage years in San Antonio, I had a much cooler best friend with a punk dad. As such, his children annually attended
Fun Fun Fun Fest, the cultish music and comedy festival held at Austin s
Auditorium Shores. I joined in at age 16, just months after returning from a 2012 summer mission trip with my church choir.
Upon entry, the singer of Chicago shock act the
Dwarves dislodged my sunglasses and told me to let my hair down as I bobbed nervously (and happily) before the heavy-genre Black Stage. I got properly high for the first time waiting for ....

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Margin Walker Owners Discuss Closure

In one of the most significant closures to hit Austin’s music industry during the COVID-19 pandemic, local concert promotions company Margin Walker closed up shop for good on Monday after staging hundreds of homegrown shows annually since 2016 at a variety of venues here and around the state.
Tabled: Margin Walker heads Graham Williams and Ian Orth (r) at the ground of Sound on Sound Fest in 2016 (Photo by David Brendan Hall)
News of the organization’s closing hit in a mid-afternoon social media post Dec. 14, which characterized the move as a “very tough decision, but one that, essentially, made itself” given the pandemic’s nuclear impact on live entertainment. Substantial concert calendars went mostly black after March and 2021 remains shrouded in uncertainty. As such, having one of the largest independent show stagers in the state throw in the towel appears an ominous indicator of how slow a rebound the touring music industry faces. ....

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