As a little boy, Cesar Pintos – now 86 – played “drums” with his friends in the streets of Montevideo’s black-majority neighborhoods, beating tin cans with twigs to ancestral rhythms brought to Uruguay by enslaved Africans.
MONTEVIDEO, Feb 13 As a little boy, Cesar Pintos now 86 played “drums” with his friends in the streets of Montevideo’s black-majority neighbourhoods, beating tin cans with twigs to ancestral rhythms brought to Uruguay by enslaved Africans. It was the 1940s, barely 100 years since.
As a little boy, Cesar Pintos now 86 played "drums" with his friends in the streets of Montevideo s black-majority neighborhoods, beating tin cans with twigs to ancestral rhythms brought to Uruguay by enslaved Africans.
As a little boy, Cesar Pintos now 86 played "drums" with his friends in the streets of Montevideo's black-majority neighborhoods, beating tin cans with twigs to ancestral rhythms brought to Uru…
As a little boy, Cesar Pintos now 86 played "drums" with his friends in the streets of Montevideo's black-majority neighborhoods, beating tin cans with twigs to ancestral rhythms brought to Uru…