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In 1992, Gregg Araki’s gay indie-thriller 'The Living End' rode a cultural wave of Queer cinema, a cinematic movement which changed the way gay audiences viewed themselves and the world in which they lived. ....
Curated by David Breslin and Adrienne EdwardsSPLENDOR. That’s the word that comes to mind as one walks sails through the 2022 Whitney Biennial. Splendor as a transformative experience, affecting soul and spirit. Curated with visual alacrity, emotional commitment, and historical heft by Adrienne Edwards and David Breslin, this exhibition, which is so much about loss, discovery, and opening our eyes to the possibility of art in space, also destabilizes the museum-as-institution’s relationship to what makes an exhibition. No more walls, the curators seem to be saying throughout the show specifically ....
At the beginning of The Velvet Underground, the first documentary film by Todd Haynes, a title card appears: “A documentary film by Todd Haynes.” I laughed out loud when I saw it, though not out of derision. I had been waiting for Todd Haynes to make a documentary for a while. ....