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This major retrospective celebrates the work of a man whose atmospheric shots of New York street scenes made him one of the most important photographers of the postwar period ....
In 1947, when the 24-year-old Saul Leiter first saw Henri Cartier-Bresson’s prints at the Museum of Modern Art in New York, photographers were content to be regarded as photographers. Today’s aspirational ideal is “artist” or “artist using a camera”. But if Leiter is a consummate artist that is because his talents were uniquely served by – and entirely dependent on – the camera in his hand. ....
We all have wondered why seemingly random boards on our mobile screens appear in various order, so we can see what algorithm is behind them; have you ever questioned the logic behind the arrangement, wondering why they appear in a specific order? Have you ever questioned the algorithmic magic?In short, the order of boards on […] ....