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Discovering Brazil s unknown modernist photographers

news Discovering Brazil s unknown modernist photographers dw.com 08/05/2021 Isabela Martel A MoMA exhibition displays the works of photographers who became pioneers of modernism in Brazil, but remained unacknowledged for the past 50 years. © Julio Agostinelli/MoMA An expression of Brazilian modernist photography: Circus by Julio Agostinelli (1951) Gertrudes Altschul, a Jewish photographer born in Germany in 1904, fled her home country to escape Nazi persecution in 1939. She immigrated to São Paulo, Brazil, where she opened with her husband a business of handmade decorative flowers. A few years later, in 1952, Altschul she signed up for a basic photography course and became part of a photo club called Foto Cine Clube Bandeirante (FCCB).

MoMA-Ausstellung zeigt Amateurfotografien aus Brasilien | Kultur | DW

MoMA-Ausstellung zeigt Amateurfotografien aus Brasilien | Kultur | DW
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Amateur hour turns to golden hour for forgotten Brazilian photo club with New York show

Amateur dramatics: Julio Agostinelli’s Circus (Circense) (1951) will be on show at MoMA © 2016 MoMA, NY, © 2020 Estate of Julio Agostinelli. A prolific but little-known collective of Brazilian amateur photographers from the mid-20th century is the subject of a new show at the Museum of Modern Art (MoMA) in New York this week. The Foto-Cine Clube Bandeirante (FCCB) which primarily included hobbyists, but also established artists such as José Oiticica Filho and German Lorca was founded in São Paulo in 1939 and produced captivating work that remains largely unseen by audiences outside Brazil. The show will comprise more than 60 photographs that reveal “a chapter of art history that has been woefully neglected”, says the MoMA photography curator Sarah Meister.

Top shows to see in New York during Frieze week

Julie Mehretu Until 8 August at the Whitney Museum of American Art, 99 Gansevoort Street, Manhattan Julie Mehretu’s massive mid-career survey which has travelled from the Los Angeles County Museum of Art includes more than 70 paintings and works on paper that date from 1996 to today. It offers a chance for viewers to track the progression of Mehretu’s style from early pieces that focus more heavily on mapping and drawing to her sprawling abstractions with innumerable layers of visual information. Some of the most recent works on view also smartly deal with contemporary social issues, as the process begins with photographs one started with police in riot gear following the killing of Michael Brown, for example, while another began with images of climate change-related firescapes. These images are then blurred and erased beyond recognition before paint and other materials are stacked on, and are then sanded and erased, creating a pentimento surface where older layers peer through

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