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The mechanics of revolutionary cinema

MARTIN HALL reflects on the enduring significance of Soviet film and the dialectical method of montage

Why unionism gets a raw deal on the big screen

The author of Screening Ulster: Cinema and the Unionists argues that Hollywood’s perceived imbalance does no one any good

Cine Liberación: The revolutionary cinema we need

In their 1969 manifesto, Toward a Third Cinema, Argentinian filmmakers Fernando Solanas and Octavio Getino defined Third Cinema as “a cinema of liberation” that stood in opposition to the values of the first and second cinemas.

Cine Liberación: The revolutionary cinema we need

BenchMarx We need the method of revolutionary cinema