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Opinion: How filmmakers react to political and social conflict can help to shape history

As San Diego’s film and arts community emerges and then recovers, we can look to the future with hope, if we look to the past for inspiration.

Kidlat Tahimik tests positive for COVID-19

Published December 21, 2020, 11:48 AM Actor-writer-director Kidlat Tahimik has revealed he was tested positive for COVID-19 after he attended the Ibagiw festival in Baguio City. In an article published in Baguio Chronicle, the Father of Philippine Independent Cinema, also encouraged people he socialized with during the festival to have themselves tested. Kidlat said that he is on “self-imposed quarantine” these days. “I am visited daily by a throng of medics. These PPE-dressed health officials come in an ambulance to monitor my temperature, my oxygen count, my difficulty of breathing, my BP,” he said. Kidlat said that since his swab test on Dec. 11, the people whom he had intensive contact with, like his sons, the carpenters he worked with, artists he chatted with, etc., have all taken swab tests.

In film Kosa, too little democracy as a Bastar teenager is wrongly arrested for being a Maoist

Kunal Bhange in Kosa (2020) | Whispering Walls On a day like any other, 17-year-old Kosa Muchaki leaves his home to sell one of his goats. But he doesn’t return. He has been picked up by a police unit on suspicion of being a fugitive. It’s actually a simple case of a mistaken identity: the police are looking for another Kosa Muchaki, aged 30. But since we are in the Bastar region in Chhattisgarh, deemed to be a hotbed of Maoists, and the other Kosa Muchaki is a wanted Maoist commander, the school-going teenager enters a Kafkaesque nightmare, one with seemingly no end in sight.

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