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An independent woman

In 1924, the all-male Taos Society of Artists decided to invite the first and — as it would turn out — only woman into its ranks. Her name was Catharine

How Lavinia Fontana Broke Renaissance Tradition to Become the First Woman Artist Known to Depict Female Nudes—and Earn Equal Pay as Men

AAP Names Its 2022 PROSE Award Finalists and Category Winners

Out of the shadow and into the light at Agnes Etherington Art Centre

Out of the shadow and into the light at Agnes Etherington Art Centre Elmer Kolfin presents “Out of the shadow and into the light: Black figures in the art of Rembrandt’s time” for the 2021 Isabel and Alfred Bader Lecture in European Art Online, Friday 4 June, 1–2:30 pm (EST) ASL interpretation and live captioning available.  All major Dutch collections have paintings representing Black figures and the Bader Collection at Agnes Etherington Art Centre is no exception. For a long time, Black presence in Dutch seventeenth-century art went unaccounted for and scholarship around this was thus absent in academic texts and museum exhibitions. However, research of the past thirty years has drawn increased attention to the ubiquitous presence and varying roles of Black figures in Dutch art as well as Dutch art’s entangled relationship to colonialism and class. In this lecture, 

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