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Brit Bennett: 'Trump colonised our brains for years. Suddenly he's just gone? It feels surreal'


Brit Bennett: ‘Trump colonised our brains for years. Suddenly he’s just gone? It feels surreal’
Emma Brockes
There was a rule to which Brit Bennett adhered during the writing of her novel
The Vanishing Half. It is a sprawling blockbuster that opens in a small town in Louisiana in 1954 and unspools almost to the present day. It takes twin girls, Desiree and Stella, and through their divergent fortunes tells a story of race and class in America, in which history appears much closer than one might think. Bennett’s rule of composition was this: in a narrative heaving with sadness and disappointment, whenever the writing started to drag like homework, she broke off, only to pick up again when she’d rediscovered the joy. “Just write the parts that are exciting to you,” she thought, “and figure out later how you’re going to connect it.” ....

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The Performance of Racial Passing


The Performance of Racial Passing
https://www.nytimes.com/2021/03/02/t-magazine/passing-nella-larsen-brit-bennett.html
The author Nella Larsen, photographed in 1934 by Carl Van Vechten.Credit.Carl Van Vechten, © Van Vechten Trust, Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University
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The Performance of Racial Passing
Though Nella Larsen’s classic 1929 novel is understood to be a tragedy, it also exposes race to be something of a farce.
The author Nella Larsen, photographed in 1934 by Carl Van Vechten.Credit.Carl Van Vechten, © Van Vechten Trust, Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University
This essay is part of T’s ....

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