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cheering and applause. her stories often centre on oppression and brutality. most famously, her 1985 novel, the handmaid s tale, a dystopian vision of america, in which women are enslaved, now an emmy award winning television series. there s an eye in your house. in this episode of this cultural life, the radio a programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics. can you remember how it goes? # fabrics need a swim in the suds. # it makes them feel just like new. # plink plink, plink plink. laughter. i want to make sure the mics are recording us. margaret atwood, welcome to this cultural life. thank you very much. happy to be here. on this programme, i ask my guests to choose the most significant influences and experiences that have shaped their own creativity, and your first choice is your parents. yes. tell me about your parents. well, first of a ....
cultural life, the radio 4 programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics. can you remember how it goes? # fabrics need a swim in the suds. # it makes them feel just like new. # plink plink, plink plink. laughter. i want to make sure the mics are recording us. margaret atwood, welcome to this cultural life. thank you very much. happy to be here. on this programme, i ask my guests to choose the most significant influences and experiences that have shaped their own creativity, and your first choice is your parents. yes. tell me about your parents. well, first of all, they, um, were very innovative and able to improvise, because, of course, if you live in the woods and there aren t any shops, you have to be, and they were both very outdoorsy. but they also allowed us to make messes in our rooms and didn t make us clean them up. by messes, i mean p ....
Every sundayjust to remind us that they were there. and you were writing the handmaid s tale in berlin at that time and that atmosphere, that that sense of difference was then feeding into the words that you were writing? yeah. more, more through actually visiting those places. so, we went to, east germany that was easy for us, we were canadians. then there was czechoslovakia. fairly tightly sewed up but you can talk to people, as long as you went into a field. and then, there was poland, which was already pretty loosey goosey. so, those experiences of talking to people who had to be very careful about what they said, and you had to be very careful about what you repeated. it was veryjohn le carre. er, the whole thing, very familiar. so, that s creating an atmosphere, i presume, in the narrative? yes. that sense of a repressive society. and you have orwell, ....
Streaming started up, which is a perfect way of doing a longer novel. and that led to an led to an appetite for. that led to. ..serious, gritty drama.? that led to the possibility of this happening. blessed be the fruit. may the lord open. and the showrunner was a guy called bruce miller who had read this in high school and he promised himself that when he grew up, he was going to make the handmaid s tale. so, he knew everything about it and talked himself into thejob. are you surprised, or maybe disturbed, at the continuing relevance 40 years after you wrote that book? well, it had periods of not being so relevant. so, it s newly relevant because of political changes in the united states. we go everywhere in twos. supposed to be for our protection, for companionship. there are no friends here. can t be the truth is we re ....
Film contained a series series television arrangement. and in those days, series television was dallas, or it was daytime soap. and the thought that anybody in that period would make a television show out of the handmaid s tale, the thought was was, possibility, zero. that s never going to happen. the film was sold to a distributor, the distributor eventually went belly up, assets were dispersed, the contract disappeared. so, people came for a year saying, can we make something out of the handmaid s tale again? and we would have to say, we don t know who s got the contract. we really didn t. wow! then, somebody opened a drawer at mgm and there was the contract. just when series television ....