In the heart of Chinatown, sandwiched between two narrow and towering apartment blocks is the wide-windowed E 23rd Pender Street. Of all its street-level neighbors, the Massy Arts Gallery is the neighborhood sun-catcher. Before even entering, I notice its gleaming white walls and bare interiors entrap the day’s dwindling sunlight. I’m greeted by Rafael, gallery overseer, who leaves me to my own devices fairly promptly with a courteous smile. The exhibition is minimalist; 4 walls make a canvas for the 4 artists to use as their blank space. The Hybrid Machine by Pippa Cherniavsky, Dennis Humphrey, Alisha Sian and Nicholas Tay is a group exhibition which uses figurative expressions as a reflection of Donna Haraway’s A Cyborg Manifesto (1985). This essay blew up as a primordial piece of writing in cyborg theory as one of the first of its kind, regarding human-cybernetic selves as a post-human phenomenon. Haraway, ahead of her time, pressed that cyborgs are an e