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Experience Tenzing Dakpa's solo exhibition 'Weather Report'

Experience Tenzing Dakpa's solo exhibition 'Weather Report'
telegraphindia.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from telegraphindia.com Daily Mail and Mail on Sunday newspapers.

Ballygunge
West-bengal
India
Kolkata
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Rhode-island-school-of-design
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Rhode-island-school
Ballygunge-place

India News | India Art Fair's 'biggest Edition Yet' Begins with over 100 Exhibitors

Get latest articles and stories on India at LatestLY. Their spirits still undamped by an overnight rain, art enthusiasts in the national capital thronged the NSIC Grounds here on Thursday to attend the opening day of the 15th edition of India Art Fair. India News | India Art Fair's 'biggest Edition Yet' Begins with over 100 Exhibitors.

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Dubai
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Solapur
Maharashtra
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United-states
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City-of

Herald: When 'Aiz Maka Falea Tuka' brings hope

Herald: When 'Aiz Maka Falea Tuka' brings hope
heraldgoa.in - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from heraldgoa.in Daily Mail and Mail on Sunday newspapers.

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Uttaranchal
India
Juhu
Maharashtra
Goregaon
Panjim
Goa
Mumbai
Ghatkopar
Himachal-pradesh
Assagao

New-Age Banarasi: Ekaya Continues to Challenge The Status Quo Through Its Collaborations

Digitally printed silk skirt, corset blouse in red satin, printed organza dupatta, all from Ekaya Banaras; silver floral earring from Amrapali; shirt, stylist’s own. Palak Shah is not your typical CEO of a typical Banarasi brand. And the secret to her success lies as much in asking the right questions as it does

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Masaba-gupta
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Skye Arundhati Thomas on the Kochi-Muziris Biennale - Artforum International

IN THE MODERNIST IMAGINARY, a viewer’s encounter with an art object should be pure and unencumbered, free from any distraction that might interrupt the aesthetic experience. For an institution, this means erasing any sign of the contingencies the physical labor, the mundane bureaucracy that must contribute to an exhibition’s production. What would it mean, for art and for its viewers, to shatter this illusion? What would it mean to remind audiences of art’s invisible work that of the installers and exhibition designers, the painters and electricians, the forklift operators and audiovisual

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