Elisabeth Subrin is a filmmaker dedicated to telling stories about misunderstood women. She found the perfect subject for her latest film, Maria Schneider, 1983. The project won best short documentary at February’s César Awards, France’s most prestigious film award ceremony, and has been screened at film festivals around the world, including at The 75th Cannes International
This week’s financial news is perhaps a good argument against a hybrid digital-and-tangential asset model, but here at Film Independent we’re not worried